Thankyou House and Gardens for publishing our Turramurra Townhouse project – our interpretation of stylish downsizing!
Thankyou InsideOut for publishing our North Bondi Apartment in this month’s February, 2020 issue. This project has received a lot of love!
Thankyou Vela for nominating us as your Top 19 Inspirational Australian Interior Design Studios of 2019. We are in good company! Link to article here:
We are honoured to have our North Bondi project featured in the August/September issue of Belle Magazine. Be sure to grab a copy at your local shops – available on Monday 8th July, 2019.
Photography: Prue Ruscoe, Styling: Claire Delmar
We are incredibly proud to announce that our North Bondi Apartment has been shortlisted for the 2019 Australian Interior Design Awards – Residential Decoration Category.
Here are all the category finalists:
As Australian designers, when it comes to selecting furniture and lighting we are spoilt for choice. We are fortunate to have access to some amazing home-grown designs through local suppliers such as Jardan, Zuster, Koskela, Temperature Design, just to name a few. We also have suppliers who champion overseas design and who support and foster originality in design and engineering – Cult, Great Dane, Hub Furniture and Living Edge are some of our favourites.
At Studio Quarters, we believe that good design involves an original idea, quality construction that will stand the test of time and most importantly, comfort.
But is good design truly accessible to everyone? We believe the answer is yes. Sure, classic pieces may not be affordable to all of us even though we know that when purchasing a classic piece, we are investing in an item that has integrity, is well-made and keeps its monetary value over time. For those of us with a smaller budget, original good-quality design that is comfortable is certainly availably in the market, albeit with a bit more research.
Below are 5 examples of classic pieces that we love and more affordable similar alternatives.
Note: prices are recommended retail prices only and may vary depending on finishes and details and excludes freight.
The role of an Interior Designer/ Interior Architect, Interior Decorator and Stylist can sometimes be interchangeable but there are definite differences between the various roles – handy to know when one is looking for the right professional.
Interior Designer/ Interior Architect
Interior Designers/Interior Architects are usually tertiary qualified with either a Diploma or Degree. Designers can assist in space planning, the selection of wall and floor finishes, fittings and fixtures for wet areas, architectural lighting, designing of kitchens, bathrooms and any custom cabinetry.
Designers are also able to assist in the selection of furniture, rugs, decorative lighting, window coverings, accessories and art work to suit the built space.
Interior Designers can either work on projects on their own if the scope is predominantly internal changes or collaborate with an architect to coordinate the design of the interiors with the architecture. They are usually responsible for drawing and specifying the design to a level suitable for accurate pricing and can also work with various trades during the site management of interiors component to see it through to completion.
A good interior designer will be able to start with a strong concept that shows their understanding of the client’s needs and aesthetic preferences. Through a rigorous process of designing, selecting and fine-tuning, good designers are able to pull together a home that looks cohesive and well-thought through.
An interior decorator is usually engaged once the structure and spaces are built. They are able to assist in the selection of furniture, rugs, decorative lighting, accessories and art to complete a space. Decorators are also able to assist in the choices of window coverings. Their expertise is in understanding how to combine colours, textures, patterns and form to create spaces that fit into the built environment.
A stylist is usually involved in staging a space, sometimes for a photoshoot for publications and sometimes staging a space just for viewing, such as for an open house. Their expertise is to set up a space to set a mood or scene. Stylists can either bring in their own furniture or hire them on your behalf. They work their magic through tweaking the layout of furniture and accessories making it look just right.
(photo credit: Pierre Yovanovitch via Pinterest)
We are only as good as our built projects. And since projects can take a while – the longest one has been 6 years, it’s inevitable people wonder, what’s taking so long, or worse, they assume we haven’t been busy. There are only so many concept sketches we can show before they outnumber the built projects, so while our project list is growing slowly but surely, we thought we’d share a little about the work that’s being done during the precious hours between school drop-offs and pick-ups.
We are currently working on a range of projects – small and large, from art selection to a complete interior fit-out for a new home, mostly on the North Shore and Eastern Suburbs. Some are at the early stages of design, some are nearing the end and some are simply waiting for photography.
Among these is a project that’s reaching the most exciting stage: seeing it built. It’s not the most substantial project by any means – it’s a breakfast bench with a new dining table and chairs for an existing kitchen, but it’s still special in itself. Because the scope of the project is so small, every detail matters. The fabrics, the type of stitching, the colour of the stitching, how far the leg sits in from the edge and even the radius of the curves. We don’t get to work closely with upholsterers for every project so it’s exciting to visit their workshop and discuss the details. A hugely satisfying part of our work is seeing something on paper materialise into something real.
Another project we are working on is a new dwelling on the Lower North Shore. We’re currently waiting for contracts to be signed and construction to begin. It’s an exciting phase where the discussions between the architect, builder, designer and client become more frequent and you really feel a sense of working amongst a team. A reality of our work is to find the balance between staying within budget while creating interiors that are of quality and substance. For a project of this scope, the interiors are never isolated but seen as part of the whole package. We welcome the collaborative process where we are constantly learning and picking the brains of joiners, builders and architects and we feel we are all working towards the same goal.
Then there’s the project for one of our oldest clients who we met back in 2013. This client came back to us earlier this year requesting for help with accessories and art selection. Time doesn’t always permit us to keep up to date with new artists, or see the exhibitions we would like to, so this project is a welcomed change. Through this project we’re learning that seeing the latest exhibitions and searching online for artwork near and far isn’t the hard part. It’s having the patience to find the right piece for the right space, that’s available at the right time.
One last project we’d like to mention, and hopefully will share photographs of soon, is an interior refurbishment to an art deco apartment in the eastern suburbs. The project includes a new bathroom, joinery to the entrance, floor finish and treatment, painting, soft furnishing, furniture, art selection and styling. We’re currently finalising the accessories and will wait for the rest of the furniture to come before we begin styling the space for the client. We’re holding our breath hoping the reveal will surprisingly exceed the client’s expectations rather than simply meeting them.
I hope this gives you an idea of what goes on at Studio Quarters. We are both actively involved in all parts of our projects. Our job as designers is to create homes that make life easier, more comfortable and more enjoyable. No project is too small or too large.
The Queen Victoria Building (QVB) in Sydney is a magnificent piece of architecture. Nestled in the heart of Town Hall, it is home to many high end to high street fashion labels as well as one-off boutiques specialising in jewellery, art, collectable toys, to name just a few. A recent trip to the QVB sparked my interest in wanting to study the relatively new colour scheme, which in my opinion has given this lovely heritage building a new lease of life. The injection of colour is both vibrant but respectful to its original heritage.
From an architectural perspective, architects Anchor Mortlock and Woolley cleverly installed unobtrusive frameless glass shopfronts to accentuate the magnificent columns of the building. Heritage Consultant Graham Brooks worked closely with the architects to revive the historical elements and the new colour scheme was devised by renowned Interior Designer, George Freedman. He was inspired by the use of vibrant and courageous colours, commonly found in the Victorian Era as well as positive and exuberant colours which adhere to the Arts and Crafts Movement
Another aspect of the refurbishment which I personally love is the insertion of the sculptural glass escalator. Besides its practical improvements of transporting people efficiently through the many grand floors of the building, it is a sensitive yet bold insertion of a contemporary element which respectfully sits within a magnificent frame of a heritage building.